Every Frame A Painting: Drive (2011) – The Quadrant System

One of the many pleasures of Nicolas Winding Refn’s “Drive” (2011) is that the shots feel both tightly composed and weirdly unpredictable. Even though most of the images follow a simple quadrant system, Refn puts plenty of subtle touches within the frame. Let’s take a look. Related: Wes Anderson Centered → A filmographer’s POV →

Akira – Live Action Trailer

The Akira Project is a crowd-sourced, non-profit project meant to create a live action fan trailer of AKIRA, the renowned manga-turned-anime film from the late 1980′s; a stunning example of both mediums as art forms. While Hollywood has been working on a live-action Akira movie for a few years now, we, as fans, wanted to …